Vampire Weekend Bring Cape Cod Kwassa Kwassa to Long Beach Movie Theater
By
Liz - Tuesday November 03rd 2009

Vampire Weekend’s self titled debut marked the first time in recent memory that my Album of the Year was decided in January. After nearly two years of missing the band in NY (even having to give away a ticket to go to a company Christmas party), I managed my way to Long Beach last night for the kick off of their California Mini-Tour (stopping in one Starbucks towns like Pioneertown, Lomita, and Visalia) in promotion of their upcoming sophomore, Contra. The Art Theater of Long Beach had been converted into an unconventional music venue, with first come first serve seating and some limited standing area by the stage.
In front of a crowd of about 200, the young New York City band wasted no time getting into new material, opening with long-time live staple, “White Sky,” which will appear on Contra. Other new tracks included “Holiday,” “California English,” “Run,” and “Cousins,” which is heavy on the surf guitar and quickly becoming my new favorite. The new single, “Horchata” (’dedicated to Lola’s across the street,’ where they apparently have really good horchata), sounded particularly tight for a new addition.
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Grizzly Bear & Beach House Light Up Hollywood Palladium
By
Liz - Wednesday October 21st 2009
“I don’t know how to talk about music,” admitted lead singer Victoria Legrande halfway through Beach House’s set at The Hollywood Palladium last night. Even though her between song stage banter could have been slightly more articulated (it was still pretty amusing), Legrande instead spoke to the audience through her band’s ever-alluring, dreamy indie-pop ballads. Her enchanting vocals carried the bands otherwise minimal live set-up (3 piece, no bass guitar), with little to no back-ups.
I had previously seen the band in festival settings, including 2008’s Siren Fest at Coney Island and this summer’s Jelly Pool Party in Williamsburg (also with Grizzly Bear). With music better suited for a small indoor venue, the change of setting made a world of difference for the band’s live sound, which seemed a bit overly washed out from the end of Stillwell Avenue. The addition of a live drummer succeeded in bulking up the drum machine lead tracks, adding a slow, steady punch to the band’s earlier material.
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