What’s another few days of waiting when your return is already 20 years in the making? Originally slotted as the first U.S. date of their comeback, the traditional club warm up before Coachella, Lush’s gig Monday night at the Roxy ended up as their “warm down” show, their last date of this initial West Coast/Coachella tour, shuffled back to the end after a visa snafu delayed their arrival.
Even before the first gloriously chorused chord is strummed, it’s clear the sell out room is won over. The love in the room is intense. A nice mix of well-preserved older scenester types and youngins pack the room to the gills. It’s almost bonus then, that the revered London band was able to rekindle their dreamy signature sound to great effect once again. The dueling guitars of Miki Berenyi and Emma Anderson were right on point, the prior’s breezy vocals weaving through the miasma (though occasionally buried in the mix, wouldn’t have minded turning her up a bit). All in all, a tight, energetic set showcasing the wide range of sonics and song arrangements of their classic 4AD catalog.
Bringing the curtain down (well, almost: there’s still the matter of the final “secret show” on the 30th) on the 2015 edition of the popular, if slightly awkwardly titled, Red Bull Sound Select Presents: 30 Days in LA, Oxford U.K. rock outfit Foals throttled a sold out Wiltern with an electric set late Sunday evening. Grimes may have had the most buzz kicking off 30 Days in LA at the Mayan in sync with her new LP drop, but Foals were arguably the biggest get in this year’s slate of shows.
Beat Connection, four affable bros* from Seattle, rolled into the Echo last Friday. The occasion: the drop of their new LP, Product 3, their 3rd overall, 1st for ANTI. Three years in the making, you feel them pushing their groovy rhythmic sounds forward on the song writing and production fronts. . .
It’s not a gig that would do much diffuse any of the hater chatter on the subject of his credibility in some quarters (and more likely only fuel it all the more) but Jamie xx’s pleasing invite-only DJ set for KCRW at the cozy Sonos Studio this past Monday demonstrated succinctly why he’s succeeding popularly these days in a cutthroat electronic dance scene.